Заключение
В ходе исследования выявлено, что визуальный хоррор в комиксах выступает своеобразным зеркалом культурных и социальных тревог общества. Через анализ произведений разных эпох и регионов прослеживается эволюция визуальных кодов страха: от телесного и морального ужаса послевоенных EC Comics, через урбанистические и психологические метафоры 1980–90-х, к глобализированным и цифровым формам тревоги XXI века.
Комиксы используют уникальное сочетание визуальной образности и нарративной структуры, фиксируя не только внешние угрозы, но и внутренние кризисы идентичности, моральные коллапсы и экзистенциальный страх. Визуальные приёмы, от размытого лайна и слияния персонажей с фоном до контраста милого и ужасного, показывают, что современный страх рождается из структуры восприятия, социального окружения и медиасреды, а не только из внешнего монстра.
Таким образом, можно сделать вывод, что хоррор-комиксы стали тем самым медиумом, позволяющим переживать страх как состояние, а не разовое событие, и инструментом культурного осмысления и социального комментария.
Автор Kengo Hanazawa — I Am a Hero, 2009-2017
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