Original size 1952x359
On the topology of visual rupture, surface politics, and the essence of the damaged image.
«Overlay» examines the image not as a closed representational system, but as an unstable surface within which incompatible modes of visibility coexist. The band crossing the photographic field here is neither a technical defect nor a formal collage technique. It functions as an operator of epistemic rupture—a place where the image loses the illusion of its own continuity and reveals the hidden montage nature of reality.
Original size 935x1056
Original size 1489x1056
Original size 1490x1055
Original size 852x1056
Original size 1329x1055
Original size 1056x547
Original size 1490x1055
