Capitol
It’s based on the wash the columns in the the abandoned estate, the situation of meeting the autonomous memory mark and the the telepathic gesture of care without the prospect of completion.
The column here acts as a concentrated vertical history, separated from the functions and transformed into the archive of cultural tensions.
The evening dress introduces the body into the the public represence mode, the aesthetics of solemnity coincide with the the exhausting repeatability of domestic action. The washing is limited to the length of the arm that translates the cleansing into the demonstration of the human limb. The column is not the column is finally cleaned and it is included in the presence mode is only by touch and repeat, because the act itself is — residence is impossible for final cleansing.
The image of a self-sufficient column in North Renaissance art is formed as a self-contained medium. In the cultural imagination of the column is understood as the concentration of memory, in which binds the ancient heritage and the visual experience of the Middle Ages. Her separate, isolated presence in the space translates the form into the shape of the sign. This is the shape of the cultural transition.
The washing gesture appears to be a language that connects care, exhaustion, and the impossibility of final cleansing in the conditions of postmodern.
Every day’s work is translated into the area of ritual and it becomes a way to capture historical and it becomes an act of deconstruction, where cleansing loses the possibility of completion and it becomes a absurd mechanical act.
Tiser perfomance
Perfomance documentation
Installation option
