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«cicory», sound art installation in the memorial greenhouse L. N. Tolstoy

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The prizewinner of the competition
Внеучебная деятельность 
Finalist of the competition

23– on 27 September 2025, five selected students of SASD went to the 'nbsp; place of power of the great Russian writer  — in  clear Paula, Tolstoy’s estate. We were able to participate in the  the remarkable lab of today ' s land art ' lac; the blessed soil ' raquo;.

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In  the frame of this program we  have been able to sink into the  the history of the place, feel the philosophy of the writer and  spend five full days in  walk around  fields and  forests, record about 30  field record hours; and  get to know each other closely, resting together in  total random valleys, we&nbsp0; trees we&nbsp1; singers. We found weird sound distortions in we&nbsp2; natural environment, interacted with we&nbsp3; friendly catalogs of the estate, photographed each other, ran through we&nbsp4; field, meditated we&nbsp5; charged the energy of the green wand we&nbsp6; sealed the wires at we&nbsp7; the Tolstoy garden.

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In  the first  every day, after being hounded and  after studying all the museum space, we have also come to an excellent idea, which and  became a concept for our interactive installation. And  call it  decided to ' laco; cory» — according to  motives of history about  like Tolstoy, having failed with  exotic coffee, planted chicory, and  it grew. In  this simple gesture — choice not  give up, a  turn to the side, not  breaking itself. For us, it became a metaphor for the lab: not  be afraid of condemnation, not  be afraid of a clean leaf, just do — better than not  do.

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Authorized design panel with exposition (working with Bones is a pleasure)

Our installation is  — participatory sound art work, exploring human paths and  values. We built it in two greenhouse spaces. In  the first room was < < <light >> — overloads, dreams, psychedelic sound distortions, human voices, knocks, conversations, traces of other people ' s work. In the second, calm, and then realistic, nature sounded like the field, the wind, the woods, the forest; — everything that creates the sense of returning to the  you. The partnership was in the 'nbsp; three Lives of microphones installed in the 'nbsp; greenhouse and  garden. You could talk, you could go, you could knock, and you could hear yourself inside the sound stream.

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they are satisfied with their work:)

Inspired by information about experiments in the  family greenhouse of the Tolstoys, we have found for ourselves a pleasant philosophical gum for the  these days. In  to some extent, this story became our motto at the time of the lab. In five days, we’ve collected the entire multi-channel, set up three microphones that allow us to participate in the  work (one of the  microphones hanged in the  garden under the umbrella), wrote a patch in the max MSP and  collected a bunch of records from the  different corners of the Clear Polana, which later turned into the algorithmic test installation. And  everything under the auspices of &laquao; does better than not  do». It’s really cool, and it’s sensitive.

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My incredible partners.

I’ve had time to participate literally in all the stages that I’m so happy to see. Along with  Dasha and  Veroy walked through  all the facilities of the lab, studied pasture and  recorded an excellent reflection of the voice from  forest from  sides of this pasture, from  Bones spent a lot of time over  communication and  cable management, with  Oleg thought about the basic logic of the patch and&nbsp0; methodology of the installation itself.

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A little backstage:)

Together, we’ve written a lot of exposition and  we’ve thought about the whole fabulous, and  we’ve personally taken a couple of important organizational points on  we’ve got to communicate with the hubsp; the curators and  the organization of our time and  the space, and  we’ve got to try ourselves in  we’ve got a photographer. It was a great experience, a lot of interesting things happened in  these five days, it pumped up and  our creativity, and  the resilience, and  it helped with the  the fear of a clean leaf.

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Our wonderful team.

The most amazing thing was to listen to the sounds of clear Paula and  gradually forget that they were recorded and  processed. In  at some point, the whole world seemed to sound exactly like this. — meaningful, harmonious, a little bit mystic. A  then, when we turned off the system, it became awkward from the  the silence: without installation, the world suddenly seemed poorer, as if something was not  grabbed.

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This trip was not  it was simply a learning experience — rather an internal exercise. We’ve all learned a little not  chasing for «ideal&raquao; result and  trust the process. Because, as Tolstoy has shown, sometimes the main thing is — not  coffee, and  not even  chicory, but  the fact that the land is still capable of giving birth.

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.and we trusted (in a photo I stand in a place where I was photographed when I was six and I first came to Clear Polana)

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Well, look again at how wonderful we are.

«cicory», sound art installation in the memorial greenhouse L. N. Tolstoy
Project created at 24.10.2025
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