Names forgotten by Omsk U. Perminov
The laser film of the cross-float has the effect of living water with moving waves. The penned font creates the image of pop-up letters from non-existence. There are names on the back of the traverse (after tweezing)
A book resurgent by 36 writers and poets who lived or lived in Omsk, whose names were hidden by the stream of time, the reader sees their reflection in the mirror of the overplay, attaching to the «Ready of Time». Maybe in the future, they’ll write about him too. So the book covers the past, the present, the future.
Pictures are contained in the muffled colloquia of the branial enamel, transfused with purple shades of the second colour solution of the overflag, Graphic style of the publication refers to the aesthetics of the first colour photographs of Prokudin-Gorski: the incoherence of the colour layers, defects, obsolescence
Shmuz / Art-return / Start of section. The space of the compositions conveys the image of the hero. All turns are dominated by vertical (left) with the author ' s name
Entering section. Turns with a portrait, opens the storyline of a hero’s life. A clean page is a pause. Slide — Switching to a font-based perception of the information
The book is printed on matt tinted paper, which allows the photo or individual elements to «light» using a lighter tone of untangled paper
The old papers, the cover of the books with the coloured photos on the loose paper, are perceived as original. Stressing the sense of air, the state of memory
The font plays a leading role in characterization of the hero
The letter was done in the stylistics of the engraving used in the manual books of the late 19th century.
The letters give the «hand-meade» strip. Heroes look out of the liter, creating a sense of their presence.
The service field for the footnotes attached to the text is also attached to the miniatures. Presuming parallel text and visualization
Subscriptions to the illustrations are shown at the bottom of the strip in italics.
Photos are painted with watercolored colors, as if touched by the patine of time, creating uniformity in the color book space.
The newspapers are placed on the strip (undercut), creating a documentary effect
Portraits in oval cards with coloured background. The background color of the portrait repeats or contrasts the elements of turning, creating a colour harmony
Book covers are on tinted paper, circling the book space.
Signed strip illustrations (large size) are given by a large peg with a substrate of selected black colour
Turns of character portraits use styles from different directions of art in the 20th century, identifying the image of the hero.
Designism. Pitangard. Surrealism. Conceptualism. Mondrian. Warhol
