Selected projects that reflect my research focus on cultural communication, visual systems and the contemporary reinterpretation of Caucasian ornament traditions.
All illustrations were hand-drawn from authentic carpets; photography and interviews were collected during field research trips
Gatefold Map
wo versions of a slipcover
Book Flat Plan
Caucasus: Speculative Futures
This project is based on traditional Caucasian ornaments, combined with photographs taken by me and my friends, and reworked through AI-generated speculative imagery. It explores how the Caucasus might preserve its cultural identity in an unpredictable future, blending real visual heritage with imagined scenarios of what this identity could become.
My photos of Dagestan
A speculative photography project created for an exhibition. Combining traditional ornaments, personal photography and AI-generated imagery, exploring how Caucasian identity might evolve in the future
Makhachkala — Cultural Identity System
Makhachkala is more than a mark on the map. It’s a vibrant, warm, restless city on the shores of the Caspian Sea. This is Dagestan — energetic, diverse, and alive.
Different versions of logo
color palette
These symbols reinterpret traditional Dagestani ornaments through a contemporary graphic language. Some elements were preserved in their original form, while others were redesigned to fit a modern identity system.
Meanings of traditional ornaments
Version 1. A universal ornamental pattern that anyone can put together in any order
Version 2. A universal ornamental pattern that anyone can put together in any order
A card-based association game that helps residents learn Dagestani ornaments by matching each symbol with its correct meaning — classified as either a landmark, an animal or an object
These three projects illustrate my research-driven design practice and the themes I aim to develop during my Master’s studies: cultural communication, semiotics, and contemporary visual systems
